Discover original art by Birmingham, Alabama artist Miriam McClung

Explore the work of Alabama artist Miriam McClung — from scenes of Birmingham, the Southeast, and beyond. Over seventy-five years of influential Southern art to be acquired, researched, and enjoyed.

"The Fountains at the UAB Callahan Eye Hospital" by Miriam McClung, 2002. Pastel on paper. 19" x 25".
"The Fountains at the UAB Callahan Eye Hospital" by Miriam McClung, 2002. Pastel on paper. 18" x 26". Click image for more details.

Upcoming Exhibits

We are happy to announce that Miriam has been invited to do a show of her portraits at the Carnegie Visual Arts Center in Decatur, Alabama from July 7 – August 22, 2026. We are honored that the Carnegie wants to share Miriam’s work with their community.

We are excited that the Bradford Gallery at St. George’s Episcopal Church in Nashville, TN will be showing showing her faith-centered works from Sep -Dec 2026 in their main gallery. We will post more information when it is available.

Cozy living room with vibrant decor and fireplace on HGTV Cheap Old Houses Episode 4 with Miriam McClung's abstract art over the fireplace..
Pictured: A reproduction of Miriam's 1959 work "Orange Abstract" on HGTV's Cheap Old Houses
As seen on

Miriam’s Art Featured on HGTV's “Cheap Old Houses”

When one of Miriam’s Instagram reels went viral in March 2023, Kimberly Hellem, a producer of the hit HGTV show “Who’s Afraid of a Cheap Old House”, contacted us about featuring Miriam’s art in an episode. Of course, we were very happy to do so.
"Artist Self-portrait" by Miriam McClung, 1975. Oil on linen. 30" x 37"
Artist self-portrait in her Birmingham, Alabama home studio in 1975. Oil on canvas. 29" x 36". The Miriam McClung Collection.

A Southern artist— from the beginning

Miriam McClung’s work stands as a visual chronicle of the American South, told through the eyes of a woman who witnessed—and translated—its transformations across more than seven decades. Rooted in Birmingham, Alabama, McClung captured the region’s intimate beauty and deep contradictions, painting its landscapes, people, and spiritual undercurrents with an unflinching yet sensitive gaze. Her early realist style evolved into visionary interpretations where biblical narratives and local environments converge, revealing the South as both sacred ground and human theatre.

In every phase of her practice—from her abstract explorations of the 1950s to her deeply personal biblical allegories of the late 20th century—McClung paints not just what she sees, but what the South remembers and hopes for. Her work is at once documentary and devotional, an artist’s lifelong reckoning with place, time, and faith. Through her art, McClung becomes both witness and storyteller of an era of significant change in Alabama’s cultural and spiritual history.

Abstract ink line drawing on beige background by Alabama artist Miriam McClung
Pictured: "Abstract - Alabama 12" by Miriam McClung, 1957. Ink on paper. 8.25" x 10.75". Message us for information.
NEW ART DROP

Early drawings from The University and The League

We are pleased to make available a selection of Miriam’s early works on paper. Some were done while she was studying at the University of Alabama in the late 1950s, and others while she attended the Art Students League of New York City from 1958-59. All are available for acquisition.

ARTIST'S SPOTLIGHT WORKS

Impressionist painting of a pond and bridge scene.
"Bridges at the Birmingham Botanical Gardens" by Miriam McClung, 1990. Oil on linen. 34" x 38". Ciick image for details.
"Mountaindale Road" by MiriamMcClung, 1997. Pastel on paper. 18" x 24". Ciick image for details.
Colorful landscape pastel drawing with trees and sky.
"The Road to Wilsonville, Alabama" by Miriam McClung, 1995. Pastel on paper. 14.25" x 19.75". Ciick image for details.
Colorful market scene with bread and vegetables.
"Bread Cart" by Miriam McClung, 2004. Oil on linen. 35" x 50". Ciick image for details.

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About Miriam

She studied under Mark Rothko one summer, but didn’t realize he was famous. And she once met Salvador Dali at a party in NYC.

Artist Vitae

Miriam’s art career spans over seven decades. Here is a biographical résumé of her education, shows, and exhibits. 

The Studio

Miriam’s Birmingham Alabama, studio location served as her primary creative space from the late 1970s until 2021. Like many artist studios, it has a unique history.

Collection of various paintings displayed in a grid.

Art Catalogue

We are working on a comprehensive, annotated, online listing of all Miriam McClung’s known art.
"Christ Is Condemned" by Miriam McClung, 1997. Pastel on board. 48" x 96". Collection of St. Simon Peter Episcopal Church, Pell City, Alabama.

Transitions 10: King to Criminal

Transitions: On Sunday you are hailed as a king, by Thursday you are condemned as a heretic and criminal. That’s quite a transition that Jesus experienced according to the gospel accounts. This work depicts Jesus condemned by Pilate and is

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Two women chatting at a dining table.

Meet a major influence on Miriam’s art

With Mother’s Day fast approaching, we thought we should introduce Miriam’s mother, Ellen Maddox Jackson, and her impact on Miriam’s art. Ellen (b. 1904) was one of five siblings and grew up in a small town and farming community (Easonville)

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COLLECTIONS SPOTLIGHT

"Day Nurse for My Grandmother" by Miriam McClung, 1962. Oil on linen. 40" x 35". Available.
Oil painting of a woman wearing white blouse.
"Woman in the White Blouse" by Miriam McClung, 1963. Oil on linen. 24" x 20". Available.
Watercolor painting of person wearing a hat.
"Burnsville Model: Man with a Cowboy Hat" by Miriam McClung, 1984. Watercolor on paper.
Miriam McClung drawing with pastels on her "studio" deck behind her home in Tennessee.

The Challenges of Painting without a Studio

Painting in the winter months without a studio can be very challenging. The weather in Tennessee, especially on the Plateau where Miriam lives, continually changes from rain to wind and even snow. Sunny days become cloudy in a hurry, leaving

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